04 March 2025

The legacy of Walsall's Workhouse

   The legacy of Walsall's Workhouse.

Walsall Manor Hospital now stands on the site.





Most of us living in and around the Walsall area, have at some time been either an inpatient, an outpatient, a staff member, a visitor or simply one of the many who repeatedly circle the car park at Walsall's Manor Hospital, with their face an ever increasing shade of red and plumes of comical smoke exuding from their ears. Inside their vehicle, air
 tinged blue by the choice language spontaneously voiced during this search for a space to "Pay-and-display" for the purpose of enjoying an entertaining family outing at the hospital (because only a luxurious treat warrants that kind of suffering). Having availed themselves of a ticket upon entering the labyrinth (designed by Escher himself), exists a nagging reminder in the back of said driver's mind of a meter spinning so rapidly that only a London cabbie could fail to be alarmed. Adding another £1 with every circuit, passing by the same vehicles that seem more like they've been abandoned there, exiting this waking nightmare quickly becomes infuriatingly impossible due to the expense as well as the shameful admission of defeat in such a seemingly simple task. Formerly fit and healthy individuals are sure to be on the verge of a coronary event by the time they finally reach the foyer.
  Others, arriving by public transport, in a "ring-a-ride" vehicle, a transport ambulance, on foot or in an emergency vehicle; few have any thoughts other than negotiating the vague directions and procedures described in the documents clutched tightly within a sweaty grip, achieving their objective and leaving as quickly as possible. 


  How many of us spare a thought about the past purposes of the people treading that same path as us in this place? For as long as we've known it, this has been a place devoted to healing, but in fact, this particular incarnation has only existed for the past 100 years. 
  The Manor itself (by which name it's commonly known) expanded and changed substantially during that period, incorporating a greater number and variety of medical disciplines; treating patients that previously attended smaller outlying "cottage hospitals".   Designated as "inefficient" these once essential institutions have one by one, since closed their doors as a single centralised location became (we're told) the most cost effective alternative. Costly maintenance of crumbling maternity hospitals, psychiatric units, specialist opthalmic infirmaries, paediatric hospitals, dental teaching facilities, sanitariums and institutes for rehabilitation; frequently extravagant and grandiose structures set amid vast grounds, many of which were donated to the public by wealthy philanthropists specifically for this purpose (public usage), but somehow proved to be far more valuable when sold to developers, eagerly seeking space to erect exclusive residential properties. 
  On a sunny day, staff, patients and visitors can be seen sitting on every available piece of grass, enjoying an infrequent lustrous spell together, or simply enjoying a peaceful lunch break free from the busy medical environment.

Still keeping a vigil after 125 years.



  Opposite the main entrance, stands a small garden area that but for the oversized LGBT flag, would go unnoticed. Here shady bowers, shrubs, seasonal flora and a couple of seats provide a space for those who's needs had tested the limitations of this resource's capacity for healing. Perhaps a shock, an unexpected prognosis, a member of staff that had seen too much sorrow for one day or even a partner preparing to make that unexpected journey home alone; a peaceful space set aside from the hustle and bustle of the world where the unfortunate that wandered pensively in can stop the spinning Chaos for a few moments. Perhaps shed silent, private tears, find temporary composure and solitude in a place that never sleeps. Given their situation, it's unlikely that even they noticed the wall against which this space stands and the building of which it's an integral part
  This structure that increasingly appears out of place amid its modern surroundings has stood watch over the changing landscape in the vicinity for more than 125 years. The three storey Grade II listed property is often wrongly described as "A deserted former workhouse and office block".  Whilst it was originally the offices of the Board of Guardians of Walsall Poor Law Union, the expansive workhouse that was erected on the site, took the place of outlying workhouses including those at Bloxwich and Darlaston in 1838. Construction was overseen by The Walsall Poor Law Union elected board of 19 guardians representing 8 constituent parishes. The 1931 census establishes that 24,931 persons resided in the region incorporated by the union. Much like today's harsh cost cutting decisions, the £7,300 spent on the new workhouse at the junction of Moat Road and Pleck Road would accommodate 350 inmates with the former sites being made available for sale or repurposing.

1913 plan of the Walsall workhouse 













   The First Victorian workhouse in the Walsall area was opened in 1727, housing 130 inmates. Extended in 1799, records show one "Henry Lucas" as it's governor, standing on Hill street.
  Bloxwich had a workhouse on Elmore green (Formerly Chapel green). In 1776, it's recorded as housing and was located on what is now a shopper's car park on Elmore row. Closing in 1838, houses numbers 14 - 18 replaced it, with no. 19 being the former home of the workhouse master, later becoming a shop called "Fanny Beech's", demolished in 1937.


  A parish workhouse was built in Darlaston in 1813, near the corner of St. George's street and The Green.









  The Walsall poor law union was formally established on 10th December 1836. The 19 "Guardians" elected to oversee its operation, represented the 8 constituent parishes: Aldridge, Great Barr, Bentley, Pelsall, Rushall, Walsall and Walsall (Foreign). The 1831 census indicates a falling population of 24,931 and an annual average poor rate expenditure for the two years between 1834 - 1836 having been £5,297, or 4s 3d. per head of the population. The erection of the new workhouse, designed by W. Watson, at the junction of Pleck road and Moat road, costing £7,300 with the capacity to contain 350 inmates was one of numerous cost cutting exercises to which we have sadly become accustomed. The new "poor laws" also 
fulfilled a problematic labour shortage in the aftermath of The Black Death, by preventing persons without means from travelling to find work.   Where monasteries (formerly a major source of alms) were dissolved under royal decree, these facilities were a perfect breeding ground for measles and smallpox, with staggering mortality rates. A government survey in 1800 recorded some 90,000 (official) places in England's workhouses. When enacting the Poor Laws, some parishes forced horrendous family situations, for example whereby a husband would sell his wife in order to avoid them becoming a burden, which would then prove costly to local authorities. The laws brought in throughout the 18th century would only help to entrench the accepted system of the workhouse further into society.

A factory style production line focused on profitability.

    The 1834 poor law amendment act (commonly referred to as The New Poor Law), aimed to address the widely held consensus at this time. The system of relief, was believed to have being abused by mere "idlers" and thus, a new approach was required to reduce the excessive cost from cosseting perceived "idlers" - sounds familiar, doesn't it?
  Whilst most inmates were unskilled they could and were frequently used for hard manual tasks, such as breaking rocks and crushing bone to make fertiliser, as well as picking oakum using a large nail called a spike. There was no payed employment for inmates and often, the only way out was in a greying shroud, feet first.
   The 1834 Law therefore formally established the Victorian workhouse system which has become so synonymous with the era. This contributed to the splitting up of families, with people forced to sell what little belongings they had and hoping they could see themselves through this rigorous system. Now under the new system of Poor Law Unions, the workhouses were run by “Guardians”. Usually local businessmen who, Dickens described as merciless administrators, seeking only profit and delighting in the destitution of others. 
  It's said that some existed in the North, where “guardians” reportedly adopted a more charitable approach to their guardianship – the inmates of the many workhouses across the country continued to be at the mercy of the variable characters of their “guardians”. Conditions were invariably deplorable marked by cruel treatment. Families were divided, forcing the separation of children from their parents. With the abundance of highly contagious diseases and rampant malnutrition, childhood mortality was a solemn and everyday event.
  Upon entering a workhouse, a single uniform was issued, to be worn for the entirety of their stay. Conversation between inmates was forbidden, whilst long hours of manual labour such as cleaning, cooking and using machinery were routinely expected.




   The demographic of inmates had changed dramatically, with a large number of elderly and infirm having very different needs,  just as social attitudes to the treatment of the poor and vulnerable altered, with increasing objections to the prior climate of cruelty. 


  By 1929, legislation allowing local authorities to adapt workhouses for use as hospitals. 1930 saw a formal dismantling of the workhouse system, but due to the sheer volume of people trapped in the system with no alternative options available to them since many had known no other life and were entirely without means, it would be several more years before these horrific, inhumane institutions closed and locked their gates for good. 
   Many of the former workhouse structures remain to this day, used by the hospital for various purposes. 
  Following the detestation of world war two (the conflict incurring the greatest loss of life to date), the establishment of the National Health Service and the Welfare State (both institutions that depend on social solidarity to succeed), an extensive litany of legislative, moral and practical changes occured. Not a single individual was unaffected by the horrific events. The awesome scale of need for all kinds of assistance among the British population necessitated measures unlike anything previously provided. 
  For those who witnessed this tragic impact, every penny was well spent in the hope that such extreme provisions should never be required again. Few of those people remain today, but the relics stand as a reminder that nothing is as valuable as the lives of those we love.
  With the introduction of the 1948 National Assistance Act the last remnants of the Poor Laws were eradicated and with them, the sinister policies of the workhouse institution. Buildings may have been changed, repurposed or levelled, the cultural legacy of the cruel conditions and social savagery remains an important part of understanding British history.

In 1945,a landslide electoral victory for the Labour (socialist) party brought about a nationalised healthcare system and a welfare state ,intended to be owned by and for the use of the people of Britain.

  The reason that the NHS and social care services were so successful at this time was because of a single factor. From the number of people suffering trauma and pain, the country developed a sense of solidarity. Everybody recognised this need if Britain was to recover. It meant caring about people other than just you and yours. The central Walsall area, like much of the build up British towns, suffer with severe subsidence problems. Due to numerous shelters and passageways that were essential for the townspeople during the war. 
As time passed and years became decades, some such spaces were flooded, others repurposed, but many were simply sealed-up and forgotten about.


   Two years ago, the rather precarious grade II listed landmark that is a remarkable illustration of how wealth inequality, with all its glaring contradictions can go unnoticed by so many. We should all appreciate the grotesque disparity that so vividly illustrated the despicable way that human beings can treat other human beings and how wealth is by no means any measure of virtue.
   In a pitiful state of disrepair, this historical monument was sold at auction in 2023 for a bargain basement price of £236,000. Whilst the renovation will undoubtedly be costly, unlike many such local properties (in an area notable for the profusion of mine shafts with an abundance of subsidence), it's seated upon solid ground, retaining some truly immaculate original features. Until 15 years ago, parts of the structure were used as office space by hospital administrators. 
  This provides us with a unique opportunity to see the opulence that would have been the last thing of note seen by the deprived and destitute, before all colour and hope drained from their world. When viewing these images, we should each delve deep within ourselves and dredge up any remnants of humanity before such a disgraceful disregard for our fellow man recurs. 




   Peeling paintwork and water damage hasn't affected the exquisite tile work lining these hallways. Bare footed and hungry as they tread into this obscure example of finery belonging to a world of which they are not a part. Bereft of all worldly possessions and fully aware that their child may well be lost to them forever, or separated for so long that their own blood will be just another hard faced stranger. The workhouse existence is a monotone environment exclusively consisting of a grey colour palette. Grey food, clothes, skin, air; the only exception being the bloody evidence of TB, typhus or consumption-coughed up in thick globules and an intermittent spray across a wall and ceiling when complacency resulted in an amputated digit or limb.
  By contrast vibrant colours and stylish design of such a value that this meek newcomer could only dare to dream of. Such cruel taunts would bear no significance to the guardians, entirely unrecognised as the taunting reminder this reluctant applicant could never know of.
  In an era when the theft of a loaf of bread could be punished by the  public hanging of the culprit and although by now less common, the reality of punitive transportation remained a strong deterrent for potential law breakers. Survivors of the arduous, months long journey traversing tempestuous waters, all crammed into the rat infested belly of a ship, then faced a period of time the duration of which, was decided during a legal court hearing (unable to pay for legal representation, their chances of a truly just outcome were non existent) enslaved into indentured servitude. This strange land where everything was seemingly intent on the taking of life. Dominated by vast expanses of unforgiving terrain, filled with wildlife perpetually hungry for flesh, both on land, in water and in the torrid, sweltering, airless atmosphere; Insects, arachnids, serpents and their fearsome "man eating" much larger cousins lurking unseen where appears only an innocuous puddle of mud. 
  Coming from a land where only other humans, hunger and cold endangered one's existence, new arrival's gullibility presented an irresistible source of amusement to their new overlords. By convincing their infantile minds that black was white, night was day and up was down - reality here was effortlessly manipulated for mere amusement. Under such circumstances, physical and sexual abuse was abundant. With no way to measure the passing of time, sentences lacked any clear end date. Sufferance in the new world lacked limitations of duration and of severity.

The Walsall workhouse.










   A concept like social security would be an unthinkable and irrational fantasy. Only a single "safety net" existed by way of the newly created "poor laws" (of which Walsall's workhouse was one example) - funded by nominal governmental funding, donations from businesses and church congregations offerings in the"poor box". Unfortunates with no alternative but to accept a future of interment and hopelessness within an institution, that in return for sustenance -for that is the only way to describe the Dickensian dietary regime consisting of gruel, stale bread and rotting produce served to inmates - a harsh living environment, often pointless gruelling labour under frequently treacherous conditions, without the slightest respite for men and women of all ages and even very young children was expected. A workhouse was in every sense a punishment for the crime of poverty that also served to conceal undesirables from their superiors, behind high, brick walls.
  The number of inmates  consistently exceeded the stated occupancy, leaving the young and the weak sleeping huddled in stairwells, doorways or adopting a single stone step as a meagre element of long term security. 
  The workday started long before sunrise, continuing until well into the night-time hours. Submission and obedience earned a rewarding  hour long Sunday service, during which sermons reinforcing the concept of sufferance and hardship delivering the penitent of the stain sin had brandished upon them. Traipsing back to their workstations- ill fitting wooden clogs against the uneven cobble stones, echoing around the courtyard enclosed within tall block walls heralded the beginning of another long and arduous working week. 


   Having made that fateful and foreboding option, to accept their lot in life as one ever bereft of the smallest luxury or privelidge. This would be made abundantly clear as a "Guardian" upon whom their future depended would, adorned in flamboyant silks of such finery, few would ever know, now picked apart  the character, mocking illiteracy and ignoring an ever growing volume of gastric reminders that food was unfamiliar within the workhouse life.



   The extravagant luxury in which the Victorian guardians would have been clad as they judged their new charge without pity. Once accepted into this space, designed for punitively tormenting the "have-nots". Each of the poverty stricken was issued with a single outfit that would be worn during the entire remainder of their days labouring there. Males and females existed entirely separately - reminiscent of Eugenics, such segregation ensured only the worthiest genes would succeed. 
   Here, they are pictured in their earliest days, before they had tie to be patched, extended, lengthened, waistlines and chests let-out. A monogram might indicare the "name" and "position" or "duties".


   An inspection by The Lancet in 1867, finding the facility to be in superficially good order, also pointed out a number of serious defects. Extracts from the report follow....

01 February 2025

SNOB©️🎼 Kopyright

🖕🏽 Copyright 🖕🏽



    Whilst some artists consider it to be an honour for other artists to choose their material for a cover version, remix or some other kind of tribute, there are those who will fiercely protest at every opportunity, issuing copyright notices if a few chords sound even the slightest bit similar.

  Others, adopt a view that the "owner" of said sounds is that person who can best make use of it for the purpose it is intended, i.e: for the audience's entertainment and auditory pleasure. After all, there are sufficient listeners, so that a dozen artists may perform without stealing any significant amount of revenue from the others. What matters is that as many listeners benefit from by hearing it - more likely if an artist whose work reaches to whence from they can access their preferred music.

  When the popularity of EDM (Electronic Dance Music) erupted in the latter part of the 1980s within the underground rave scene offered some respite for disillusioned, despondent young Brits. Left without hope for a future in a climate epitomised by hate, violence and all consuming avarice, such that capitalism (by it's nature) demands. 

  Unlike popular commercial music produced for maximum appeal, the arrangement and production of EDM lay in the hands of the DJ. By mixing and scratching samples, selected from pre-recorded records, film, TV and pop culture references (some described as "butchering them), they delivered a metaphorical British to fingered salute to the "ownership" of sound. In the spirit of rave - P.L.U.R. (peace, love, unity, respect) - EDM's success rapidly ballooned beyond the members of generation X that had refused to sink beneath the same mire, into which their aspirations & dreams had been consumed. 

  Through huge speakers, corresponding with the dancefloor (filled to capacity with a united congregation) and strobe lighting - hands aloft - young, old, black, white, boys, girls, rich, poor - for that brief time, no animosity, judgement or threat could interject itself. 

   The K.L.F. (The JAMS- Justified and Ancients of Mumu) a.k.a. "The Timelords", who had a #1 single in 1988 with Doctorin' the Tardis - a  mash-up of Blockbuster by The Sweet, Rock and Roll by Gary Glitter and the theme tune from Doctor Who - were strong proponents of the "fair use" loophole. They followed up the #1 single with a #1 best selling book entitled "How to write a #1 hit single". That fine line between genius and madness you've surely heard of - that applies right here.

  They drove to Sweden in their old American police car, intent upon confronting members of the Eurovision winning group ABBA when they refused to permit the aforementioned "fair use". Unable to locate them, Caulty and Drummond spent the ferry trip home tossing records overboard like frisbees. Undoubtedly, they went ahead and rinsed that ABBA track until it dissolved anyway. 🙂

   Together, they created, performed, recorded, cut, promoted and distributed all the works on their own record label, including duets with global stars Tammy Wynette, Whitney Houston, 2 unlimited, The pet shop boys, The moody blues,  Extreme Noise Terror, The Red Army Choir and Acid Bass. 



  Using the name Kopyright Liberation Front they released a studio recording of the Rites of Mu track (1997). They later gained notoriety with a series of exploits, intended to convey a statement that was generally lost in translation, or just didn't quite live up to their carefully crafted plans. Sacrificing a sheep, emptying a machine gun into the audience, staging an elaborate party on the island of Jura in the Scottish Hebrides, where guests including journalists and friends were greeted by the pair, clad in official uniforms waiting to inspect luggage and rubber stamp passports before issuing robes for The Rites of Mu.

   Being the best selling artists in the UK (1991) , the duo had used income to cover taxes and production costs, then decided to call it a day. Ever popular, money continued flowing in, leaving them with little but a plan for a swift exit, slamming the door behind them and shoving the key through the letterbox, so there could be no return - but what was to be done with the money?  October 1993 revealed; "Nailed to the wall", the first artwork by The K Foundation. Entitled "Money: A Major Body of Cash"; £1 million nailed to a pine frame, it was revealed to the press with the foundation's announcing the winner of their "Worst artist of the year" award. During the ensuing year they negotiated with galleries that inevitably backed away, seemingly nervous about the personalities involved. When an idea to take an uninsurable £1 million to Russia and America fell by the wayside, there only seemed to be a single foolproof answer.  

  6 weeks later, Caughty & Drummond, with  freelance journalist Jim Reid as a witness squashed into a small aircraft (made smaller by the sacks full of £50 notes) and made the trip back to Jura. In the fireplace or an abandoned boat house there, for more than an hour the pair fed £50 notes into the flames. Incineration has a cathartic effect on the mind.


  Once again, they faced a barrage of insults, accusations, slurs and condemnation for doing something in private, with their own pieces of paper that they had earned almost single handedly. Surely those people had only one concern and that was their own greed. Money does not bring the happiness that is essential on this life. In fact, such large sums are definitely a hindrance to obtaining the genuine heartfelt human interactions that are vital for the maintenance of physical, mental and emotional wellbeing. Nobody tells you what you can and can't do with your income, so...                                      ---

   Leaving a dead sheep on the doorstep of the BBC outside the filming of "The Brit Awards", The Kopyright Liberation Front had left the building. On 3rd November 1995, signing a contract on the side of a Nissan Bluebird; which had then been pushed over the cliffs at Cape Wrath in northern Scotland - agreeing to wind up the K Foundation and not to speak about the money burning of the million quid for a period of 23 years... and that was that. 

   2 guys who had wanted nothing but to bring some joy to their audience had been bullied and driven to the very edge by idiots like Julian Cope who thinks that money was his. strange because in my extensive collection, I have no recollection of seeing his talentless arse even once, peeking out of a roadie's van. The real artists with notable substance to contribute, had done so happily and without yelling at a vulnerable person. If you know any truly outstanding musicians..or perhaps you've attempted to write a book... You'll know how damned hard it is and how unhelpful behaviour like that is going to do a lot of harm. 

   When I went to check on that collection, i discovered that much of it had gone. K2 plant hire had quietly withdrawn their entire back catalogue.. for what? 

                    Kopyright

         You joyless, bitter twazzocks!!

  On 23rd August 2017, rested and driving a pink ice-cream van whilst handing out books, as a delighted crowd welcomed them back.

The worthiness of all things in this world cannot necessarily be measured measured according to the mercenary sell-out scale.

  The white room album is listed in the "100 albums that you need to hear before you die" list. 







Snob

Dan Le Sac vs. Scroobius Pip
Track 10 onThe Logic Of Chance album.

Producer

Mar. 15, 2010
1 viewer

Little Sammy was a kid on a council estate
His dad listened to the skids, the slits and the slates
So Sammy listened too, he loved the passion in it
He loved the feeling in his spine with every snare hit
One day his dad bought the Sunday rag
Came with a CD of Mozart and a TV mag
The TV was broke so he put the CD on and listened
And his eyes lit up and his smile, it glistened
He had never known that music could have so many layers
Different emotions placed upon different parts and players
Each week he waited for the next free CD
To put on his headphones and get lost completely
So he saved all his money, one goal in mind
To go down to a performance and see this live
It took eight long months to raise these funds
But the excitement was immense when that day did come
With his pockets full of coins he got the bus to the city
He watched the view become less shitty and gritty
Even though he was alone in this big dark place
Nothing could remove the smile from his face
When he arrived, everyone was in suits
Sammy stood there in tatty jeans and boots
He slammed his coins on the counter "one ticket please"
But the guy turned up his nose like he was gonna sneeze
He looked away and served the next couple suited and booted
But Sammy stood his ground and asked again less muted
They laughed and someone sneered "Get out of here pikey
Appreciation on your level seems less than likely"
Tears built up in little Sammy's eyes
It seemed his place in society he could not hide
His head dropped for a minute but then his head was held
He looked them in the eyes as he screamed and yelled
He said...
Stop being a snob with ya music
It's made to be heard man, anyone can use it
Ya get so damn precious sometimes
It's just rhythms and rhymes and melodies in time
There was this other kid, she lived on the outskirts of Leicester
Her friends called her Frankie, her parents Francesca
I gotta admit she was kind of ignorant
But the kind you expect of wealth and affluence
No offence! She just lived in a different world
With different priorities, a real status girl
Her musical taste were an NME playlist
And anything recommended by the rich and famous
Now one day she was buying tunes online
She'd just got into Beck five years out of time
When she went to download Midnight Vultures
She got confused and grabbed Midnight Marauders
The only hip hop she knew was when that boy Kanye
Got featured in her mag doing a track with Coldplay
But as she reached to turn it off Q-Tip started to speak
And in that split second somehow he connected deep
She sat up, 'til god knows what time
Hunting for more beats, breaks and rhymes
She could barely believe that music so far from her role
Could resonate and connect to the root of her soul
She woke late the next day and hit the record store
She'd found a lot of dope tracks but she wanted more
She walked in and went straight to the guy at the desk
She said, "I'm loving De La Soul and a Tribe Called Quest
I've heard good things about Rakim and KRS
So I'm looking for advice on what's the best of the best"
The guys looked at each other, raised an eyebrow and smiled
And they looked back at her like a little lost child
Then they laughed "little posh girl getting her ghetto on?
Go back to daddy little girl this ain't where you belong"
She felt demoralized and stupid and all alone
And then she screamed in their faces with a visceral tone
She said...
Stop being a snob with ya music
It's made to be heard man, anyone can use it
Ya get so damn precious sometimes
It's just rhythms and rhymes and melodies in time

Producer

Mar. 15, 2010

14 September 2024

💊Tramadol💩

 Saturday 10th August.

💩Tramadol💩





            💩TRAMADOL 💩

  My friend had just got home from the hospital after getting her broken leg "seen to", so I take the dog and embark on the 20 minute walk to her place. 
  Doggy squats and does what dogs do best -we'd all be pooping in public if we could get away with it. Being the responsible citizen and dog owner that I am, out comes the poo bag. Tying off the warm, squidgy laden bag, I can breathe easy once more. Then as I approach one of the few remaining public bins in the country, what's this I spy right on top, just about where I would ordinarily aim the bag of turds??
  It's a pharmacy bag that's very obviously full. Never one to let an opportunity pass me by, I swap my bag for the crisp white paper bag with the instantly recognisable green cross. My heart's a-racing as I instinctively check all  around me before surreptitiously opening it up and stealing a quick glance inside (just to check it's not full of razor blades, more poop or maybe all my aspirations, broken dreams and personal failings (I know they're somewhere waiting for the optimum moment to slap me in the face at a time of unparalleled inconvenience).
  I am disappoint!! 😕 It's bloody Tramadol!!

  🩲Pants!!

The legacy of Walsall's Workhouse

    The legacy of Walsall's Workhouse . Walsall Manor Hospital now stands on the site. Most of us living in and around the Walsall area...